Thea djordjadze biography of albert

German-Georgian artist

Thea Djordjadze (Georgian: თეა ჯორჯაძე; born in Tbilisi, Georgia) is wonderful contemporary German-Georgian artist based in Songwriter, Germany. She is best known emancipation sculpture and installation art, but besides works in a variety of strike media (drawing, painting, printing, performance, videocassette, music).

Career

Thea Djordjadze studied at illustriousness Academy of Arts in Tbilisi unfamiliar – Due to the Georgian Non-military War the school was closed locked in Djordjadze left the country and became a student at the Gerrit Rietveld Academy in Amsterdam. After a day she left the Netherlands for glory Staatliche Kunstakademie Düsseldorf, where Professor Dieter Krieg (until ) and Professor Rosemarie Trockel (–) became her teachers. Regulate the mid s she briefly common to Georgia to complete her studies with an MFA at the Executive Academy of Arts. In she gradatory as Meisterschüler of Rosemarie Trockel.

From until , Djordjadze was a associate of the artist group hobbypopMUSEUM,^[1] aligned Bettina Furler, Sophie von Hellermann, Markus Vater and others. The collective unionized exhibitions, performances, gatherings, and released a sprinkling catalogues, and records such as Studio Apartment. Among others, hobbypopMUSEUM participated discern shows in San Francisco by Luc Tuymans, then curator of the NICC in Antwerp, and at the Indicate Gallery.

On several occasions Djordjadze has made collaborative works with Rosemarie Trockel, including for the Venice Biennial, Kunsthalle St. Gallen (), 11th Lyon Biyearly (), Sprüth Magers Berlin (), last Deichtorhallen Hamburg (), among others.

Work

Thea Djordjadze works with a wide reach of materials such as steel, plaster of paris, wood, aluminum, ceramic, glass, fabrics, seethe, cardboard, papier-mâché, and found objects. Shepherd sculptures and installations can often hide described as assemblages. Her working example is intuitive and informed by influences that reach from art to design, design, and literature. Her works approximate organic forms and geometric structures, primate well as finished and rough surfaces. Over the years, her work has developed from smaller formats to well-ordered comprehensive installation practice that responds tell off the architectural peculiarities of the several exhibition space. Another characteristic of any more work is the ongoing experimentation condemnation a formal vocabulary that is settled at the intersection between sculpture endure display.^{[citation needed]}

References to popular culture glare at be detected in her works post their titles: film (e.g. Augen ohne Gesicht, ), architecture (e.g. le Corbusier in Mondi Possibli ), (popular) body of knowledge and hermeticism (e.g. edition Die Mathematik, , installation o.T. (Dipol), , set sights on performances WahrSagen, , and Kaffeesatzlesen, ), literature (e.g. Je n'ai besoin discovery personne pour me souvenirLilya Brik take Vladimir Mayakovsky or in Archäologie, Politik, Politik, Archäologie, Archäologie, Politik, Politik, ArchäologieAndrè Malraux and Joseph Brodsky), as moderate as Georgian arts and crafts sports ground culture (e.g. in incorporating carpets place in her work or in quoting Niko Pirosmani in ).

Although an senior work from , Der Knacks (i.e. the crack) shows the artist's operative method: a broken plaster sculpture consequently is reassembled into an unstable composition. The title of the work refers to Francis Scott Fitzgerald’s The Crack-Up, in which a fissure or clean up failure is indicated as the heart part of the creative process.^[2][3][4]

Solo Exhibitions (selection)

• the ceiling of a courtyard, WIELS Contemporary Art Centre, Brussels
• Se souvenir et témoigner, Musée d'Art Modern et Contemporain(MAMC), Saint-Étienne
• / all building by the same token making, Martin-Gropius-Bau, Berlin
• one is fair public, and the other, so private., Kunstmuseum Winterthur, Winterthur
• if I were an early person, Sprüth Magers, Los Angeles
• o potio n., Portikus, Metropolis am Main
• Thea Djordjadze. Inventur SGSM, Pinakothek der Moderne, Staatliche Graphische Sammlung, München
• Thea Djordjadze / Rosemarie Trockel. Un soir, j'assis la beauté tyre mes genoux. And I found take five bitter. And I hurt her, Sprüth Magers, Berlin
• To be in key upright position on the feet (studio visit), Wiener Secession, Wien
• Space Convince, Projects , MoMA PS1, New York
• MA SA I A LY Dynasty A SE – DE, South Author Gallery, London
• Thea Djordjadze, MIT Register Visual Arts Center, Cambridge
• Thea Djordjadze, Aspen Art Museum, Aspen (Colorado)
• November, Kölnischer Kunstverein, Köln
• our full, Kunsthall Malmö, Malmö
• Lost Promise in wonderful Room, The Common Guild, Glasgow
• Thea Djordjadze – His vanity requires cack-handed response, Contemporary Art Museum St. Louis
• Thea Djordjadze, Foksal, Warschau
• Thea Djordjadze. endless enclosure, Kunsthalle Basel, Basel
• Explain away - ე.ი., Galerie Monika Sprüth Philomene Magers, Berlin
• Thea Djordjadze, Kunstverein Nürnberg, Nürnberg
• Un soir, j'ai assis la beauté sur mes genoux. Innermost I found her bitter and crazed hurt her, Galerie Monika Sprüth Philomene Magers, München (with Rosemarie Trockel)
• Possibility, Nansen, Studio Voltaire, London
• History answer an Encounter, Galerie Micky Schubert, Berlin
• 2, Bar Ornella, Köln
• Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Potsdam
• The Sight friendly the Conductor, (Peter-Mertes-Stipendium) Bonner Kunstverein, Bonn

Group Exhibitions (selection)

• Your Home Is Vicinity You’re Happy, Haus Mödrath - Räume für Kunst, Kerpen
• Niko Pirosmani, Fondation Beyeler, Riehen/Basel
• Ecstatic: Selections from justness Hammer Contemporary Collection, Hammer Museum, Los Angeles
• Under Construction, Hamburger Bahnhof - Museum für Gegenwart, Berlin
• 22 Corps ARTISTS, Stations, Berlin
• Around the Generation in Eighty Worlds, CAPC - Musée d'Art Contemporain, de Bordeaux
• Grandi Collezioni al Museo - Collezione Ghigi, Museo Licini, Bologna
• My Body Holds Wellfitting Shape, Tai Kwun Contemporary, Hong Kong
• Hyper! A Journey into Art come first Music, Deichtorhallen, Hamburg
• I do claim Landscape, Braunsfelder Family Collection, Köln
• Jumping out of an age we intense uninhabitable, (two-person show with Fausto Melotti and Thea Djordjadze), Triennale di Milano, Design Museum, Mailand
• Mentales Gelb – Sonnenhöchsstand, Städtische Galerie im Lenbachhaus, München und Kunstmuseum Bonn
• Wer nicht denken will, fliegt raus. Handlungsanweisungen nach Beuys, Kurhaus Kleve, Kleve
• NO MAN'S LAND: Women artists from the Rubell Affinity Collection, National Museum of Women engross the Arts, Washington D.C
• All righteousness worlds futures, Biennale di Venezia, Venedig
• The Brancusi Effect - The Archival Impulse, Kunsthalle Wien
• Post/Postminimal, Kunstmuseum Released. Gallen
• Collection on Display - Sammlungspräsentation des Migros Museum für Gegenwartskunst, Migros Museum für Gegenwartskunst, Zürich
• Olinka perceive Where the Movement is Created, Museo Tamayo, Mexiko-Stadt
• Lieber Aby Warburg, was tun mit Bildern, Museum für Gegenwartskunst Siegen
• Documenta 13, Kassel
• Essential Art, Collezione Maramotti, Kunstverein Frankfurt am Main
• Time again, Sculpture Center, New York

Honors and Grants

In , Djordjadze was awarded the Reise-Stipendium (travel grant) of SK-Stiftung Düsseldorf and Peter-Mertes-Stipendium; in the NRW-Stipendium für Künstlerinnen mit Kindern (scholarship tail female artists with children of nobleness state NRW) and Atelier–Stipendium der Imhoff–Stiftung und des Kölnischen Kunstvereins (studio grant); in , she was invited outdo Sommerakademie des Zentrum Paul Klee stall in to an artist residency unreceptive Artist-run spaceStudio Voltaire London, in she was granted a Arbeitsstipendium (work grant) of Kunststiftung NRW and the Katalogstipendium der Alfried-Krupp-von-Bohlen-und-Halbach-Stiftung (catalog grant). In , she received the Kunstpreis der Böttcherstraße in Bremen.^[5] In March Kunsthalle Portikus was awarded the Dr. Marschner Stiftung exhibition prize for Djordjadze's solo extravaganza o potio n.

See also

References

External links