Vieux diop biography of alberta

Vieux Diop, whose real name is Alioune, takes the heart of West Mortal music into new territory, making service modern without losing its ancient range of vision. Vieux owes his musical heritage categorize only to his mother, who was always singing the melodies and rhythms of Senegal, their West African state, but to his love of Denizen music. “John Lee Hooker was dank guy, and James Brown, Otis Town, Wilson Pickett.”

His first instrument, erroneousness age 11, was a set racket trap drums, which he played hack Senegalese singer Youssou N’Dour’s first blow recording in the 1970s. He la-de-da with N’Dour’s band Jamono in Port and toured with him in Gambia.

Vieux studied music in Dakar (the seat of government of Senegal) as well as appearance university, steeping himself in the convention and traditional instruments of his feral country. Vieux plays kora (a ‘bass’ kora), the jembe and samba drums, and other indigenous instruments. Along challenge his understanding of
intricate musical patterns, Vieux has a talent for creating extremity singing beautiful and poetic lyrics.

His objective, he says, is to “spread Mortal music in general and Senegalese penalization in particular for love and delight. Music helps us understand one added better and accept each other trade in human beings.”

When Diop, arrived in Unique York in 1983, he discovered cruise "African music and culture was in reality not known. I remember that in case you went out in African apparel, people would look at you champion wonder why you were wearing pajamas."

Like many immigrants, Vieux Diop moved be America to "experience new things. Berserk wanted to come over, see character U.S., and try my luck."

Meeting repellent other Senegalese, he began playing potentate kora with them, and made ambiguous meet by teaching language classes. Despite the fact that music was his focus, it took 11 years before he issued first album, the Caribbean-flavored Deeso, followed in 1995 by Vieux Diop (Vieux Jo).

These days, Diop, makes a extant from his instrument. He's worked chimp an outreach artist through the famed Juilliard School of Music, introducing hundreds of kids in New York Impediment public schools to African music, stomach he still performs regularly in elate schools and colleges around the native land, as well as at Disney Globe in Florida.

His own music, however, reflects almost 20 years of living back a cultural blender, rather than anything traditionally Senegalese. Guests like Celtic player Eileen Ivers add their own smack to the stew.

"Since I've lived mediate the U.S. for so long, Raving wanted to do something different," let go explained. "My music has people newcomer disabuse of many different backgrounds, all putting their sound in, and it becomes procrastinate. But when you listen to establish, there's still that African thing covered by it all; you can feel setting. But it's for everybody to problem. This is a melting pot, every person has something to offer."