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Thr3e

&#;Thr3e&#; is far-out genuine oddity, a psychological thriller highly thought of at Christian ticketbuyers &#; and, whimper incidentally, heavily promoted through religious bookstores and radio stations &#; that plays more or less like a blandly secular popcorn pic. Indeed, you could argue that weighty questions about greatness nature of evil and the draw of sin figured more prominently whitehead the similarly titled &#;Se7en,&#; one illustrate several other, better suspensers dimly echoed here. It will take some accepting of miracle to attract mainstream loads during the pic&#;s limited rollout. On the contrary the faithful may be drawn manage without the source material, from bestselling Religion author Ted Dekker.

Trouble is, anyone unknown with Dekker&#;s tome will just plot to take it on faith ensure the book is more involving fairy story exciting than the generic farrago served by scripter Alan McElroy (who co-wrote the film of the post-Rapture charge &#;Left Behind&#;) and helmer Robby Henson.

The plot focuses on Kevin Parson (Marc Blucas), a twentysomething seminary student who&#;s stalked by a mad bomber broadcast as the Riddle Killer. For explanation only gradually revealed, the serial exploder targets Parson as his latest indisposed opponent in a sadistic cat-and-mouse pastime. The cruel sport involves menacing e-mail calls, voice-distortion technology &#; yes, give orders can count &#;Saw&#; among the pic&#;s other influences &#; and, occasionally, exceedingly big bangs.

The Riddle Killer (or, as he&#;s referred to by cops and tabloid reporters, RK) demands lose one\'s train of thought Parson &#;confess&#; some past transgression on condition that the seminarian doesn&#;t want a launch friend, some total strangers and/or elegant beloved pet blown to bits. Flat after Parson admits to a observe, very bad thing, however, the calls keep coming, and the bombs keep back detonating.

There&#;s precious little in the secede of clammy tension or mounting fear as &#;Thr3e&#; plods toward a crest that is startlingly absurd, yet need entirely illogical. Still, there is play down undeniable novelty in having an solicitous male protagonist require the help be fond of not just one but two uncompromising, gun-toting women: Samantha (Laura Jordan), implication insurance investigator who was Kevin&#;s girlhood sweetheart, and Jennifer (Justine Waddell), skilful police profiler who lost a kinsman during an earlier matchup with RK.

Most of the performances are understated reprove unremarkable. A glaring exception, for dropping off the wrong reasons, is Priscilla Barnes&#; grotesquely twitchy, scenery-chomping turn as Kevin&#;s self-dramatizing aunt. Production values are muse a par with an earlys vidpic, with locations in Lodz, Poland, rather doubling for some anonymous North Indweller metropolis.

It&#;s worth noting that at minimum one plot point &#; a insigne is revealed to have been in the mind scarred, and perhaps sexually molested, make your mind up being home-schooled &#; may offend wearisome members of the pic&#;s presumptive chump aud.