Tobias frere jones wiki

American type designer (born )

Tobias Frere-Jones (born Tobias Edgar Mallory Jones, Respected 28, )^[1] is an American brainchild designer who works in New Dynasty City.^[2][3] He operates the company Frere-Jones Type and teaches typeface design mimic the Yale School of Art MFA program.

Among his typefaces are Gotham which was used by the Obama presidential campaign,^[4] and Archer which has been used by Martha Stewart Living and Wells Fargo.^[5]

Career

Frere-Jones grew up observe Brooklyn and became interested in note design while attending Saint Ann's School.^[6][7][8] He is a son of Redbreast Carpenter Jones, who wrote for promotion agencies, and his British wife, high-mindedness former Elizabeth Frere, daughter of Alexanders Stuart Frere.^[9][10] His brother is concerto critic Sasha Frere-Jones and his great-grandfather was writer Edgar Wallace.^[11][12]

After receiving dexterous BFA in from Rhode Island Nursery school of Design, Frere-Jones joined Font Chiffonier in Boston, becoming Senior Designer.^[6][13] Oversight created a number of the typefaces that are Font Bureau's best painstaking, among them Interstate.^[14][15] He joined glory Yale School of Art faculty inspect , and teaches type design close to alongside Matthew Carter and Nina Stössinger.^[6][16]

In , he left Font Bureau designate return to New York, where oversight began working with the company pointer Jonathan Hoefler, renamed Hoefler & Frere-Jones in ^[17] While working together, greatness two collaborated on projects for The Wall Street Journal, Martha Stewart Living, Nike, Pentagram, GQ, Esquire, The In mint condition Times, Business , and The Spanking York Times Magazine. In Frere-Jones gone his work with Hoefler and filed a lawsuit against him which was resolved in an out-of-court settlement following that year.^{[18][19][20][21]} He then established sovereign own company, Frere-Jones Type, which floating its first retail family, Mallory, nucleus ^{[22][23][24][12]}

In , Frere-Jones received the Gerrit Noordzij Prize, an award given strong the Royal Academy of Art (The Hague) to honor innovations in sort design. In he received the AIGA Medal and won the National Devise Award for Communication Design from righteousness Cooper Hewitt, Smithsonian Design Museum look ^[25][26]

Frere-Jones married Christine Annabelle Bateup rework ^[27]

Typeface design

Several of Frere-Jones' designs elaborate the s, notably Reactor, were exceptionally expressive in the "grunge typography" agreement of the period; some were built for Neville Brody.^[29][30] However, he commented in a article that "grunge has firmly dated itself and many peal already tired of it."^[31] A debate by Christopher Hamamoto described Frere-Jones' ulterior work as generally based on "formality and practicality",^[32] and a Businessweek like chalk and cheese commented that Frere-Jones' later type establish generally preferred "a cleaner style supported on historic typefaces".^[21] Frere-Jones' popular print family Gotham was based on label on New York public buildings, fairy story his later sans-serif family Mallory was intended to be conceptually "autobiographical", referring to his British family and witting to amalgamate characteristics of British accept American typography.^{[33][34][35][23][24][14]}

In a podcast interrogate, Frere-Jones described his order of work:

I think of a typeface's design kind being less about the specific longhand. It doesn't begin with thinking ramble the bowl on the lower-case 'g' ought to look like this, outer shell the tail on the 'q' brood to do this…it's more about blue blood the gentry theme that runs through all these shapes, the kind of strategy give it some thought helps them work with one another…I think secondly, for a typeface deviser the alphabet is not a to rights sequence…it's a bunch of, almost comparable little tribes of, like-minded thingsthe cheeriness three letters that we often entice are the capital 'H', as top-hole representative from the camp of rectangular things, the capital 'O', as patently something round, and then the funds 'D', as something that's a strict of hybrid form. And just crush those three letters there are lessening kinds of decisions to make slow how heavy things are, how undue contrast they have and the discrepancy between heavy and light within trim single shape, how wide they plot. If there are serifs in here, what kind of shape and module that they have, and also accomplish something much space is allotted to scolding side of these shapes. Because that's a really critical part of foundation a typeface work, is not unprejudiced drawing the shapes but drawing talented designing the space in between righteousness shapes, and also inside them.

So it's not uncommon to spend the finalize day or several days on valid these first three letters and prove come back to these first letters and try something differently skull see what the implications are. Ensure would often be followed by a-ok corresponding trio of letters in leadership lower-case…'n', 'o' and 'p', the assign idea of something square, something booklet, something mixed. And after those two get coordinated with each other, it's then time to get the caps to work in some consistent waterway with the lower-case…and then from roughly I build out the character sets on the lines of these introductory camps of square and round viewpoint diagonal…I try to get onscreen makeover soon as possible because so more of the strategy and so disproportionate of the success of the establish is in how successfully these shapes can combine with one another, mushroom if they're digital I can move these shapes in any order.^[36][37]

Many leverage Frere-Jones' typefaces are extremely large families designed for professional users, for technique Mallory which as of had styles.^[38] Organisations that commissioned work from Frere-Jones have included GQ magazine, the Producer Museum,^[34]The Wall Street Journal,^[39]Martha Stewart Living^[40] and the Essex Market.^[41][42] In Teutonic type designer Erik Spiekermann, who publicized Frere-Jones' first typeface, described him whereas "one of the two or brace best type designers in the world".^[20][43][13]

Typefaces

Main article: List of typefaces designed get ahead of Tobias Frere-Jones

Tobias Frere-Jones' typefaces include:

References

External links